Instrumental
#1
Posted 20 June 2007 - 10:10 AM
А что нравится вам? Когда любите слушать такую музыку? Какие любимые композиции? Нравится ли вообще такой стиль музыки?
Вобщем делимся!
#2
Posted 20 June 2007 - 10:17 AM
Karunesh
#3
Posted 20 June 2007 - 10:23 AM
разные джазовые компиляции очень нравятся.
А классику можно отнести к этой теме?
если да, то Рахманинова и Чайковского люблю послушать.
Слушаю обычно перед сном.
#4
Posted 20 June 2007 - 08:28 PM
#5
Posted 21 June 2007 - 12:15 PM
Мне очень нравится классика в рок обработке, которую исполняет Ванесса Май. Кейко Матсуи играет просто замечательно, особенно композиции: Bridge under the stars, Forever, Forever.
#6
Posted 21 June 2007 - 12:22 PM
Keiko Matsui, born in Tokyo as Keiko Doi on July 26, 1961, is a Japanese smooth jazz/new age pianist and composer whose career spans three decades, during which time she has released twenty CDs (in addition to various compilations) and has received international acclaim.
Keiko and her husband Kazu Matsui (b. June 5, 1954) have two daughters, Maya (b. ca. 1988) and Mako (b. Sep 12, 1995).
Keiko Doi's mother Emiko brought her to her first piano lesson in the June following her fifth birthday. Japanese tradition holds that a child who is introduced to lessons at this time will continue in those studies for a long time. The tradition held true for Doi, who studied piano throughout her school years. Though her early training focused on classical music, in junior high school she developed an interest in jazz and began composing her own music. Some of her musical influences at this time included Stevie Wonder, Rachmaninov, Maurice Jarre and Chick Corea.
Doi studied children's culture at Japan Women's University, but she also continued to study music at the Yamaha Music Foundation. Doi was a top student in the Yamaha System and was selected at the age of seventeen to be a recording artist for them. Thus she joined the Japanese jazz fusion group Cosmos, which recorded seven albums.
At age 19, Yamaha sent Doi to America to record an album, and there she met Kazu Matsui, who had been selected as a producer for the project. They married, and Keiko relocated from Japan to America. Kazu Matsui would produce all of his wife's future albums.
In 1987 Matsui recorded her solo debut LP A Drop of Water using money from her honeymoon. The album's title, the name of a song by Carl Anderson, was in memory of those who had died in the Space Shuttle Challenger disaster the year before. Its success led to a record deal with MCA Records.
Matsui's music is powerful and introspective, blending both Western and Eastern musical influences. She has a very spiritual view of composing music, feeling out each composition as though it were, in her words, "coming to me from another space, another dimension," and "catching notes from the silence and then simply placing them together" [2]. Matsui sees music as "the great gifts from the human souls from the past, for the children of the future" [3]. She believes that music has a power to bring people together and change their lives. "We are connected by music," Matsui wrote, "as the Ocean connects the continents" [4].
A lover of nature, Matsui often makes reference to plants, animals, the elements, and other natural features and phenomena in her song titles. She shows an especial fascination with the moon as a number of her compositions refer to the moon in their titles.
Matsui's music shows signs of evolving over the years. Her American debut album A Drop of Water showed a promise of east meets west with a jazz fusion flavor. However, her recordings for MCA Records in the early 1990s lacked this appeal and, for many, sounded indistinguishable from the rest of what is now known as smooth jazz. Starting with Cherry Blossom, though, her music increased in popularity as she differentiated herself from the rest of contemporary jazz. By the time Sapphire was released in 1995, her music flirted with everything from funk music to Latin and world music.
Whisper From the Mirror from 2000 showed Matsui leaving the smooth jazz style and moving towards new age with a soundscape sound. A number of her fans had a problem adapting to her new style of music (though she continued to play smooth jazz at her concerts). But many welcomed the change. Over time her post-2000 albums show a more worldbeat flavor to them. Her 2005 release Walls of Akendora, however, is a return to her pre-2000, smooth jazz days.
Edited by Cassie, 21 June 2007 - 12:23 PM.
#7
Posted 21 June 2007 - 12:23 PM
#8
Posted 22 June 2007 - 02:47 PM
#10
Posted 23 June 2007 - 02:08 PM
Cafe del Mar и Hotel Costes обязательны для прослушивания
#12
Posted 02 July 2007 - 11:47 PM
#13
Posted 02 July 2007 - 11:48 PM
Twista - Drinks
#15
Posted 20 February 2009 - 03:26 PM
ОСТ 12 друзей Оушена - главная тема, Танец ночного лиса;
Alihan Samedov-Sen Gelmez Oldun
Astor Piazzola-Libertango
Azerbaycan dovlat simfonik orkestri-Vals
Carter Burwell-River flown in you(Bellas lullaby-2)
DjMakar-Koratun instrumental
Ennio Morricone-Chi mai
Ernesto Cortazar-Waiting for you
GodFather-Love theme
H.Abdullaev-4 Fesil
John Powell-Assassins tango
John Williams-Schindler's List theme
Kenny G-Havana,The moment
L.V.Beethoven-Fur Elise
Max Greger-Geschichten aus dem wiener waldStraus
OST Sunsat beach
Paul Mariat-L'ent Indien
X-mode-Animals
ОСТ Иллюзионист - главная темы
ОСТ Такси - главная тема
#16
Posted 21 February 2009 - 12:01 PM
#17
Posted 21 February 2009 - 03:52 PM
#18
Posted 21 February 2009 - 06:53 PM
#19
Posted 05 March 2009 - 07:37 AM
#20
Posted 25 March 2009 - 01:54 PM
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